Heritagem presents: This lovely pair of earrings is made in 18kt yellow gold and it is set with a beautiful greyish black Tahitian cultured pearl. They are topped with 3 brilliant cut diamonds. These are perfect for every day.

All our items comes with either a gemmological report or a jewellery report with circa and all useful information.

Heritagem presents: This Victorian pair of earrings is just ravishing. They feature a suspended amethyst and are enhanced with seed pearls. These clips earrings were made during the Victorian era circa 1880. They are not marked but they were tested as 18kt gold. All our items comes with either a gemmological report or a jewellery report with circa and all useful information.

Heritagem presents :   A unique diamonds pendant signed LIORA. This one features a paint brush, the handle is adorned with 40 brilliant cut diamonds, for an approximate carat weight of 0,40ct. The back was numbered 5/25. It is an original one, unique, and very easy to wear for everyday. All our items comes with either a gemological report or a jewelry report with circa and all useful information. This Jewel "Paint brush"represent for her the multiple and infinite extensions of the hand of man, which undergo a continuous cycle of production, consumption, and destruction. About Liora   Liora was born in the sixties, more specifically in 1965, in the 12th arrondissement of the City of Light, Paris. She spent her childhood in the also called “arrondissement de Reuilly,” in a well-known artisan district. From a very young age, she dwelled in an environment filled with professions that effectively mix both artistical and practical work. She’s specialized in abstract art, and her work’s most remarkable characteristics are probably the strong presence of black color, as well as of rich textures, which are the result of the artist’s smooth appliance of diverse painting techniques and their convergence with light. However, that does not mean the artist rules out other colors, for ones such as gray, red and blue assist her gallery’s tonality, generating a space in which life and death collide. Spots and other spontaneous strokes also find themselves being protagonists of Liora’s catalog, sharing the spotlight respectfully with vertical lines that usually take shapes that evoke nature, as abstract reflections that could be understood, by curious minds, as trees or pistils.

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