Heritagem presents: This beautiful important brooch, convertible into pendant, features a shell cameo set on 18kt yellow gold. The cameo depicts Antinous as Dionysos. This young man was the favourite of the Roman Emperor Hadrian. Dionysos is the Greek wine god, which is why Antinous is wearing a crown of vine leaves with grapes. The cameo is in very good antique condition, it is from the Victorian era since it marked with the French horse’s head (mark used in France between 1838 and 1911).  

Heritagem presents: This lovely brooch features a realistic bird on a branch. The head is adorned with a pearl with a ruby for the eye. The neck is enhanced with 5 turquoises; the feathers are adorned with cabochon-cut rubies and sapphires. It is marked with the French eagle’s head and with the maker’s mark. The brooch is from the Sixties and it is in very good condition.   All our items comes with either a gemmological report or a jewellery report with circa and all useful information. SIXX

Heritagem presents :   A unique diamonds pendant signed LIORA. This one features a paint brush, the handle is adorned with 40 brilliant cut diamonds, for an approximate carat weight of 0,40ct. The back was numbered 5/25. It is an original one, unique, and very easy to wear for everyday. All our items comes with either a gemological report or a jewelry report with circa and all useful information. This Jewel "Paint brush"represent for her the multiple and infinite extensions of the hand of man, which undergo a continuous cycle of production, consumption, and destruction. About Liora   Liora was born in the sixties, more specifically in 1965, in the 12th arrondissement of the City of Light, Paris. She spent her childhood in the also called “arrondissement de Reuilly,” in a well-known artisan district. From a very young age, she dwelled in an environment filled with professions that effectively mix both artistical and practical work. She’s specialized in abstract art, and her work’s most remarkable characteristics are probably the strong presence of black color, as well as of rich textures, which are the result of the artist’s smooth appliance of diverse painting techniques and their convergence with light. However, that does not mean the artist rules out other colors, for ones such as gray, red and blue assist her gallery’s tonality, generating a space in which life and death collide. Spots and other spontaneous strokes also find themselves being protagonists of Liora’s catalog, sharing the spotlight respectfully with vertical lines that usually take shapes that evoke nature, as abstract reflections that could be understood, by curious minds, as trees or pistils.

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