Heritagem presents: This ravishing pendant is from the Art Nouveau period, circa 1900. It is made in 18kt yellow and rose gold (tested). It is adorned with lively rose cut diamonds in the centre and on the motives. It is in very good antique condition.   Please note the chain is not included All our items comes with either a gemmological report or a jewellery report with circa and all useful information.

Heritagem presents: This stunning French pendant was made by Augis. The plus is made is set with 5 diamonds and the minus with 2 rectangular synthetic rubies. The medal is signed A.Augis on the left. The medal is adorned with a ravishing airy crown set with 15 brilliant cut diamonds with a total of 1.50ct approximately. It written in French: " + qu'hier - que demain ": "I love you more than I did yesterday and less than I will tomorrow.” The French saying comes from the verse of the poem written by Mrs Rosemonde Gerard to her lover and husband: Edmond Rostand, the famous French writer of Cyrano de Bergerac, a dramatic love play. Alphonse Augis, a French jeweler's from Lyon, made a love medallion with this verse written on it.   Please note the chain is not included All our items comes with either a gemmological report or a jewellery report with circa and all useful information.  

Heritagem presents: This double chain is from the late Victorian period, circa 1880. It is marked with the French eagle and rhinoceros’ heads. It is in very good antique condition. It measures 28in long. All our items comes with either a gemmological report or a jewellery report with circa and all useful information.

Heritagem presents :   A unique diamonds pendant signed LIORA. This one features a paint brush, the handle is adorned with 40 brilliant cut diamonds, for an approximate carat weight of 0,40ct. The back was numbered 5/25. It is an original one, unique, and very easy to wear for everyday. All our items comes with either a gemological report or a jewelry report with circa and all useful information. This Jewel "Paint brush"represent for her the multiple and infinite extensions of the hand of man, which undergo a continuous cycle of production, consumption, and destruction. About Liora   Liora was born in the sixties, more specifically in 1965, in the 12th arrondissement of the City of Light, Paris. She spent her childhood in the also called “arrondissement de Reuilly,” in a well-known artisan district. From a very young age, she dwelled in an environment filled with professions that effectively mix both artistical and practical work. She’s specialized in abstract art, and her work’s most remarkable characteristics are probably the strong presence of black color, as well as of rich textures, which are the result of the artist’s smooth appliance of diverse painting techniques and their convergence with light. However, that does not mean the artist rules out other colors, for ones such as gray, red and blue assist her gallery’s tonality, generating a space in which life and death collide. Spots and other spontaneous strokes also find themselves being protagonists of Liora’s catalog, sharing the spotlight respectfully with vertical lines that usually take shapes that evoke nature, as abstract reflections that could be understood, by curious minds, as trees or pistils.